Monday, April 29, 2013

You've Got To Be In It To Win It

[ 04/27/13 show notes from Guitar Technique Tutor Podcast Episode 103]

In this week’s show, the Spotlight is dark (bummer), the Question of the Week is, "That's a G chord?!". News is about our friends at Fender's new Standard Strat Plus Top models and Take Note is called, "It's That Time, Again."


So how was your week? Mine was pretty good. We have some drama going on with a close friend, but other than that, it was a good week. My students are progressing nicely, the weather has been fabulous if you aren’t allergic to astronomically high tree and grass pollen, which I am thankful that I no longer am, and next week, all of my students should be around for their lessons. No more school breaks until Memorial Day weekend, I think. That’s good. Before I can blink they’ll be gallivanting off for the summer.

Arno’s 2 bands played at a benefit last weekend and he said it went well. Good!

I think I’m still in the midst of DR marvelousness. Their high tech coating helps them last longer and play better. I know that the cusp and then the gradual decline will be farther off because of their proprietary K3 coating. It extends your strings’ life and I find them much more playable. Cool.

You know how some music just feels and sounds like summer? Whether it’s because you’ve watched videos or you have a memory of being in a certain place or situation, you’re sort of imprinted with an idea when you hear them - and i don’t mean because of the words. Well, among some of my students, this year, as the weather here finally broke, a lot of students are playing The Eagles stuff. It’s so interesting. The students are diverse, yet waves of common interest emerge from time to time. Right now, it’s time for the Eagles. It could be worse.

When I saw Lani this week, she said she had something to show me that was going to make me sad. While she was exiting and re-entering the room, I rattled off a list of things I didn’t want to see. She laid a broken Raptor pick on the coffee table. It was indeed a sad sight but was the solution to the mystery of to where one of mine disappeared. A good friend, Donna, made a zip key fob for me, in which I carry a few picks. I guess my that when I put my pick back into the fob after Lani’s lesson, I didn’t zip it and it fell out. She said she found it in the street and knew it had to have been my dead Raptor. 





Today is 180 days into the clean up and recovery from Superstorm Sandy. A local community college had a fund raiser for survivors in Seaside Heights - a popular tourist spot for many New Jerseyans. 9 Bands performed.  


If you would like to contribute to the clean up and restoration that is still so desperately needed, one of the reliable organizations to whom you can donate is SandyNJReleifFund.org.

I drove past the Mahwah Museum and pointed out the Les Paul in Mahwah: A Tribute sign to the person with whom I was riding.  Don’t forget that your opportunity to see the full exhibit is quickly waning. The exhibit as it is today will close June 30.  The museum is closed during the summer and through September.  The smaller permanent installation will be available to visitors in October. 

At this year’s Les Paul 98th Birthday Gala on June 8, there will be a couple of nice guitars raffled.

RAFFLE: DRAWING JUNE 8, 2013
Last years raffle in honor of Les Paul’s 97th Birthday was a resounding success.
This year the Mahwah Museum is doing it again.  They will be raffling off two more guitars; the raffle drawing will be held at the Les Paul 98th Birthday Gala being held on June 8, 2013, at the Trustees Pavilion at Ramapo College.  Attendance is not required to participate in the raffle.

First Prize:
White Epiphone Guitar, Les Paul Standard Royal, Body autographed by Bucky Pizzarelli, Lou Pallo and others, with Les Paul autographed pick guard circa 2007



Second Prize:
Epiphone Mahogany Guitar, Les Paul Studio, autographed by Lou Pallo, Peter Frampton, Lou Caiola and Peter Townshend [ I think the library has it wrong -  I sent them an email. I’m sure it’s Al Caiola]



Third Prize:
Les Paul and Mary Ford 45 rpm Record and Gibson Ad, autographed by Les Paul

Donation $25.00 per raffle ticket. Tickets are available for purchase at the Mahwah Museums: Wed/Sat/Sun from 1 – 5 p.m. To order by mail, send a copy of the  page you can print online, with your name, address, number of tickets and check payable to Mahwah Museum Society, and they will send the tickets to you.

Don’t forget to check out Thank You, Les, the tribute album and documentary spearheaded by Lou Pallo, with performances by the Les Paul Trio and numerous guitarists and musician friends of Les Paul.



Does your or your kids’ mom love to play guitar?  I know, if she’s a mom, she probably doesn’t have much time, but  my friend Tina of Tinaspicks.com is a busy mother and she finds time to play. Jewelry, flowers and dinner out are good, but a handful of genuine Raptor R Series guitar picks will show her you love her because it shows her that you know what she loves.  

I don’t know a guitarist alive that isn’t looking for fresh inspiration and she’s no exception. The 3 uniquely and specifically engineered picking tips on the Raptor entice a guitarist to think about and explore the full range of sound qualities they can create with it.  The unique  beveling of the molded acrylic pick offer amazingly silent attack.  She’s going to love them.



The Raptor R Series pick is destined to become a pivotal tool for creative guitarists, whether they’re moms, dads, sons or daughters.  Personally, I haven’t played with anything but a Raptor R Series since the very first time I touched one and I don’t think anyone will be disappointed when they play with a genuine Raptor R Series pick.

Get some today for the guitarist in your life, or for you  at RaptorPicksUSA.com   Free Raptors with a purchase of 4 or more is just another way of “spreading the excellence, one guitarist at a time.”

Raptor™ picks are a registered design. All rights are owned by Black Carbon.



This week's question came from a student who, like many, is locked into a very limited, visual understanding of chords - even basic ones.  He showed me a guy on YouTube, teaching viewers how to play a particular song (yeah, I know, this student of mine already has a teacher, but still he trawls YouTube - whatever). My instruction to him and everyone like him, is to close their eyes and listen - which he doesn’t always do.  The guy on YouTube was playing just the lower strings  of a pretty common movable chord.  Because he was playing just the lower strings, the diagrams of the chords he used were just the fragments, not the whole chord because he was only playing  3 or 4 strings.   Between not listening with inquiring ears and being so locked into thinking 5 or 6 string chords that are familiar, are the only versions of those chords, my student was challenged to grasp that the 3 or 4 low strings & the resultant diagram was just as much a G chord - or whatever chord it was, and that he actually plays that chord all the time in its fuller version.  Obviously, he only thinks in terms of fingerboard geography and in visual terms.  If he listened, he could hear that it was a the chord we were discussing.  If he were thinking what makes any chord whatever it is, he would have understood it with ease.  

You dudes are the visualizers and you need to be able to listen to what you play. 

Would you have had the same reaction as my student? As long as you have a root, a third and a fifth, you have a chord. It doesn’t have to look like something particular.  If you have a root and a 5, you’ve got a power chord (which we all know, isn’t really a chord.)

If you have  a question that you would like me to address on the podcast, please email it to me at guitartechnique@gmail.com.  If I use your question, I will be glad to send you a Guitar Technique Tutor Podcast pick. 


In the news this week are the new members of the Fender Standard Strat line, which are the Plus Tops.  

The http://www.fender.com/series/standard/standard-stratocaster-hss-plus-top/Standard Stratocaster HSS Plus Top delivers famous Fender tone and classic style, with the added elegance of a flame maple top on the alder body. Other features include single-coil neck and middle pickups, humbucking bridge pickup, tinted maple neck with modern "C"-shaped profile and satin urethane back finish, rosewood or maple fingerboard with 21 medium jumbo frets and 9.5" radius, three-ply parchment pickguard and parchment control knobs, vintage-style synchronized tremolo bridge and '70s-style headstock logo. Available in Tobacco Sunburst (rosewood fingerboard) and Aged Cherry Burst (maple fingerboard).



The Standard Stratocaster Plus Top delivers famous Fender tone and classic style, with the added elegance of a flame maple top on the alder body. Other features include three single-coil pickups, tinted maple neck with modern "C"-shaped profile and satin urethane back finish, rosewood or maple fingerboard with 21 medium jumbo frets and 9.5" radius, three-ply parchment pickguard and parchment control knobs, vintage-style synchronized tremolo bridge and '70s-style headstock logo. Available in Tobacco Sunburst (rosewood fingerboard) and Aged Cherry Burst (maple fingerboard).




Understand the primary difference between these guitars that look nearly the same and have the same MSRPs. which is  $739.99, is the pickup configuration. The good news is that there's a lefty version.

Then there’s the version with the locking tremolo: The Standard Stratocaster HSS Plus Top with Locking Tremolo delivers famous Fender tone and classic style, with the added elegance of a flame maple top on the alder body. Other features include single-coil neck and middle pickups, humbucking bridge pickup, tinted maple neck with modern "C"-shaped profile and satin urethane back finish, rosewood or maple fingerboard with 21 medium jumbo frets and 9.5" radius, three-ply parchment pickguard and parchment control knobs, Floyd Rose® double-locking two-point tremolo bridge and '70s-style headstock logo. Available in Tobacco Sunburst (rosewood fingerboard) and Aged Cherry Burst (maple fingerboard).This is an H/S/S model and its MSRP is $1009.99










My take note topic this week is, “It’s that time, again.”   Unless you like your guitar to look like a Willie Nelson special, you may want to take some minor precautions to protect your axe’s finish, now that on my side of the equator, it’s the spring/summer season. That means short or no sleeves and possibly playing or gigging outside. I can just see that sweat and all the skin oils coming out of your arm and clouding up or wearing down the finish of your guitar.  Yuck!  I can’t stand how it looks nor how it feels.   I have played way too many that had their finishes melted off the way acetone strips nail lacquer - not my guitars but those of friends or students.  I suppose if you had supersonic ears, you would actually be able to hear a difference.  After all, on acoustic guitars, the finishes are quite particularly formulated for the effect they have on the flex and the resulting sound.   

Hey, if you don’t care what your axe looks like, (and maybe even sounds like)  or if the lower bout loses its slickness for ease of your arm’s movement …. it’s cool.  It’s cool, but I don’t get it.  It doesn’t take too much to protect it.  A sleeve is great but not all shirts have sleeves.  I realize that not everyone can carry off taking a long or  3/4 sleeve shirt and cutting the other sleeve short or off for  comfort.  I used to do that all the time.  In another decade I found a shirt that already had a short and a long sleeve.  I wore it like crazy until it was threadbare.  Unless you are a brave individualist and have a tailor that can alter your shirts,  you may want to do something a bit more conventional.  A folded handkerchief is enough of a barrier between your hot sweaty skin and the possibly fragile finish on your guitar.  I don’t like them because they fall off.  I prefer the rib section of a sock.  It slips on and slips off when you are finished. It remains in place and doesn’t threaten to slide onto the strings when you’re playing.  I’ve already tucked a sock top into the bag I take out to students, now that spring is here.  Over the past couple of weeks, I  wore short sleeves a few times, already.  

If you have a mid or high end guitar, and you think you’d ever sell it, the cost of refinishing a guitar well - and by that I mean so it is undetectable, is quite expensive and  you would need to find an independent luthier or someone in a high end guitar shop, not the guys who are at the big name music stores where the “techs” mainly do string changes and neck set ups.  I’m suggesting refinishing for best resale price but I also think it’s incumbent upon you to disclose the refinishing to your intended buyer.  I’m sure they will appreciate your integrity.  



Glad your gig went well last week, Arno. 
Who’s playing Eagles music?    
I love the K3 coating on my DRs. They are still sounding sweet.  
We didn’t have a funeral for the run-over Raptor pick, but Lani was right, it did make me sad.  
If you’d like to further assist SuperStorm Sandy victims, Sandy NJ Relief Fund will put 100% of your contribution to excellent use.  The recovery here is going to take years.
Don’t forget the Les Paul in Mahwah exhibit at the Mahwah Museum in Mahwah, NJ which is open Wednesdays, Saturdays and Sundays, and the marvelous tribute to Les Paul by Lou Pallo, the trio and other musical friends, called Thank You, Les. 

You can get in on the raffle for the autographed Les Paul guitars even if you cannot attend the Les Paul 98th Birthday Gala on June 8th.

You don’t have to play all 5 or 6 strings of a chord if it isn’t the sound you want/need.   If you know what comprises a chord, a funny looking partial diagram won’t confuse you.

The relatively affordable Fender Standard Plus Top model line is nice. Just be sure to choose the pick up configuration you like.

Hey, put something between your sweaty arm and the finish of your axe.  You don’t want it to get rough and cloudy, do you?

If you’re not comfortable, your guitar isn’t either, so don’t leave your guitar in a cold car or basement, or a hot car or attic. Humidify if your guitar lives in an environment in which there is less than 40% humidity.


I’m hoping to have Episode 104 recorded, mixed and online by May 6th or 7th.  I won’t be producing a show the week of the 12th.  I have a few things cooking the preceding  weekend for a significant birthday, so I know I won’t be able to find time before the end of that week, for a show.  I’m not so big on birthdays, but when there’s a zero in the number, they’re noteworthy.


If you're seeking expert competent guitar instruction in the Bergen and Rockland County towns in which I teach, such as Airmont, Allendale, Fair Lawn, Franklin Lakes, Glen Rock, Hawthorne, HoHoKus, Hillburn, Mahwah, Midland Park, Montebello,  Montvale, Oakland, Oradell, Paramus, Park Ridge, the hamlet of Ramapo, Ramsey, Ridgewood, River Edge, Saddle River, Suffern, Tallman, Teaneck, Tuxedo, Tuxedo Park,  Upper Saddle River,  Viola, Waldwick, Washington Township, Westwood, Woodcliff Lake or Wyckoff please contact me. For lesson inquires, calling is best and my number is on the web site. If we can coordinate our schedules and you're a good candidate to learn to play the guitar, perhaps we can work together.
Whether you are a beginner guitarist, a gigging professional or at any level in between, a genuine Raptor™ guitar pick will catapult your playing forward.  Visit RaptorPicksUSA.Com to order yours today.
Practice, have a great  week, practice  and until next time, I'm D A Arlaus, doing my part to spread the excellence, one guitarist at a time. 




Sunday, April 21, 2013

We Feel You, Boston


[ 04/21/13 show notes from Guitar Technique Tutor Podcast Episode 102]

In this week’s show, there are 2 students in the Spotlight, the Question of the Week isn't a question at all, News is about how you can win an Eastwood Classic 6 and Take Note is called, "I'm Impressed."

The terror attack in Boston colored everything. We’re not that far from Boston. and my peers and I have not been the same since 9/11. I don’t look at cloudless Tuesdays nor planes overhead without flashing back to that traumatizing day. A young man dear to us ran in the marathon. Alex is like a son or nephew to E-Rex and me. We just love him. Anyway, I don’t usually have TV on during the day, when I am home, but on Monday, I did. When whatever I had on in the background was broken into by the news report, I instantly texted him. Fortunately, I got through before they shut down the cell service. Alex went out with the elite runners (what else is new? He’s elite at everything he does) and had showered and was eating when I reached him. We were thankful for Alex’s safety, but so dismayed about the lives that were shattered. Boston has a whole other vibe. It’s a nice town and I’m sorry its population was held captive to the vile deeds of terrorists. 

I must shamefully admit I have not yet returned the call from the dad who has the little five-year-old son for whom he's seeking guitar lessons. I will call him. A few things wreaked havoc with my schedule this week. 

Guitar Center has been bombarding me with advertising. I received a postcard advertising their used gear trading expo, on Thursday, April 25 through Sunday, April 28. Just last week I received an email of something called a create your own clearance. It offered $10 off a purchase of $49 or more, $30 off a purchase of $199 or more, and $150 off the purchase of $750 or more. That Create Your Own Clearance period has passed, but I wouldn’t be surprised if we see a sale like that with some regularity coming from the big music stores. 

My week was brightened up. I received a wonderful early birthday gift from one of our dear friends, Ernie, for a rather significant birthday that’s looming next month. So what was the gift that our dear friend Bernie bestowed upon me? It was a beautiful long-desired iPad Mini.

To say I’m thrilled with it would be an understatement. iI’s so extremely useful: this week I dictated my podcast notes on it rather than typing the notes out. It was convenient to speak them when it was opportune, without having to be near my desktop Mac. I loaded it up with the all apps I use on my phone, which were also available for iPad. Sometime ago I considered purchasing an iPad but it wasn’t in our budget. At that time, I compared the beautiful large Retina Display of the standard iPad and the smaller non-Retina Display and the great portability factor of the iPad Mini. For my particular lifestyle the Mini is preferable. It’s big enough for me to keyboard comfortably - especially in landscape mode, yet small enough to take just about anywhere. So receiving the Mini was a tremendous surprise and such a welcome blessing. Need I say that it interrupted some of my usual life activities during the past week? I couldn’t help but customize it so I could maximize it’s usefulness and I’d be lying if I didn’t admit to just flat out playing with it, too. I’m going to really enjoy it.




My DR strings are still sounding beautifully and I'm liking them. I’m easily

I have some email from listeners regarding the nine cords I discussed last week. In the majority of the emails readers or listeners were asking why it matters and who cares whether there's a root in a 9 chord or not. 
It is my hope as a musician and instructor that it does matter to you whether the chord has a root or not. I also hope that more of you than not are aware of what they are playing musically rather than being clueless. I suppose it is of no importance whatsoever to know whether a chord contains a root or not if understanding what you play is of no interest to you. 

The Boston terror attack was terrible and our prayers are with the families that will never be the same. In your compassion for the Bostonians, please don’t forget the survivors of SuperStorm Sandy. Sandy NJ Relief Fund will efficiently use 100% of your donation to fund and mobilize qualified and competent organizations to assist in restoring life to the New Jerseyans who are still picking up the pieces, nearly 6 months later. Thank you for everything you have done or will do.

You just have a few months to visit the full blown Les Paul in Mahwah: A Tribute exhibit at the Mahwah Museum in Mahwah, NJ. IVisitors are welcomed 1-5 on Wednesdays, Saturdays and Sundays. After June the exhibit will shrink to a small permanent installation. I'll check the specific date.

Lou Pallo, the Les Paul Trio and several jazz luminaries have created a terrific homage to the genius guitar player and inventor. Check out, Thank You, Les.




In the warm glow of the Student Spotlight are Arno and Bridget. This month is riddled with vacationers. All of the schools in the area have different spring break weeks, so my schedule hasn’t been full for the past several weeks. I’m glad Bridget is not the only guitarist in the Spotlight. There’s room for everyone! 

Arno has a busy busy busy life and even though the 2 bands for whom he plays drums played this past weekend and there were rehearsals for that, and even though he’s a family man and businessman, he managed to eek out time to play. He’s making excellent progress in his weaker areas, and that’s to be recognized and praised.

Bridget is doing excellently. She takes her practicing seriously. You go girl.

I’m looking for Shira and Aviv to move into the Spotlight and remain there. Chicks, you’re just short of your best, and that’s what it takes. Since you’re friends, you should inspire each other.

This week's question isn’t, so I thought I’d give you a brief rundown of the Crossroads Guitar Festival last weekend, here, in NY. We won’t see one of these again, for 3 years. 

It was the fourth Crossroads festival Clapton has presented, every three years since 2004, and musicians clearly enjoy it. The majority of this year’s headliners — among them Buddy Guy, B. B. King, Jeff Beck, Los Lobos, John Mayer, Robert Cray and Vince Gill — were recidivists, coming back for the chance to mix and match repertories and trade licks with peers. Also performing were Taj Mahal and Keb’ Mo’, Quinn Sullivan, Keith Urban and Albert Lee. The Allman Brothers Band, Derek Trucks, Warren Haynes, Gregg Allman Sonny Landreth and Allan Holdsworth. I’m sure I missed some of them.

The concerts were filmed for release as a DVD. The festival was a guitar-geek utopia. Video screens showed close-ups of fingers and fretboards more often than faces. According to the Times, what came through the two nights was the pleasure of musicians listening to one another. With tradition in their fingers, they were still adding their own hand-played flourishes, full of respect and primed for one-upmanship.

If you have a question that you would like me to address on the podcast, please email it to me at guitartechnique@gmail.com. If I use your question, I will be glad to send you a Guitar Technique Tutor Podcast pick. 

Links Email Me if you'd like to submit a Question of the Week or suggest an additional segment topic. 
If I use one you submit, I'll send you a Guitar Technique Tutor pick.


In the news this week is your opportunity to enter for your chance to win an Eastwood Classic 6 from Premier Guitars! This Giveaway ends May 3, 2013, so get on it if you’re interested.

The Eastwood Guitars Classic 6 features the famous 1960’s Country Classic look, the Eastwood Classic series offers great balance and feel. Available in 4, 6 or 12 string configuration - with or without Bigsby on the Classic 6 - this semi-hollowbody, set neck design is one of Eastwood's top selling models. This Eastwood Classic 6 Walnut Guitar prize package comes with an Eastwood Hardshell Case and is valued at $750. Nice guitar if you’re the one who wins it.

Here are its specs:


Body: Bound Laminated Maple, Flamed Maple Top, Bound F-Holes
Colours: Walnut, White, Orange, Black
Pickups: Two EW-Retro Humbuckers
Switching: 3-Way 
Controls: 2 Volume 2 Tone
Bridge: Fixed Tun-O-Matic Bridge
Neck: Bound Maple, SET neck
Finger Board: Rosewood, MOP Sharks Teeth
Scale Length: 24 3/4"
Width at the Nut: 1 5/8"
Hardware: Gotoh style Nickel/Chrome
Strings: #9-#46
Case: Extra
Unique Features: Unique MOP Fret Markers and Volume Knob Positioning
Suggested Retail: $629.00 US (Street is about $499.00 US)







Eastwood may not be one of the first guitar companies you think of when someone says, who are the builders who make great guitars. Here’s a little background:

Since 2001, Eastwood® has been creating some of the most exciting Electric Guitars the world has ever seen. Their RADICAL VINTAGE REMAKE series feature a variety of models based on popular sixties designs - from the classic Mosrites to their top-selling AIRLINE - they capture the excitement and style of the originals. Each year the prices of the originals skyrocket - they are getting harder to find and harder to play! Eastwood®'s focus is to make top quality replicas - that cost less and play better - so the average musician can experience the excitement of playing one of these beautiful vintage guitars as their everyday axe.

All Eastwood® Guitars are fitted with high-quality modern components that offer an optimal playing experience that far exceeds their 1960's original counterparts. It is hard to find a guitar these days that oozes more vintage style than an Eastwood®! All Eastwood® Guitars are setup professionally before shipping to customers.

All Eastwood® Models are subjected to extensive research and development to continually raise the level of performance. At the same time, the folks at Eastwood are very careful to maintain an affordability level that their customers expect. These elements combine to deliver peak performance and higher quality than the originals at a much lower price. Hey, good news for lefties: It looks like that for this model the lefty and righty cost the same. I could be wrong, but that's how it seemed on their web site. 

My take note topic this week is I’m Impressed. Sounds like it’s going to be admiring remarks about someone, right? Well, I mean impressed in a general sense, not the often used complimentary way. 

This is for you younger, no so experienced players. Often, in this segment or in the Question of the Week segment, I stress discipline, the proper way to approach conquering those areas in your playing or understanding that need work and so on. But today, I want to talk about how you can sabotage your audition, or fall short at your next gig. I’m not saying all “young” guitarists fall into this category, but some most certainly do. I was at a coffee shop recently, and I affirm that I’m a partially voluntary and partially involuntary eaves dropper. I can’t help that I have extraordinary hearing, so I overhear conversations -- whether drinking my joe or at a restaurant etc. I overheard some young dudes talking and as soon as I heard the word “amp” my ears locked onto the conversation. They were talking about an upcoming performance and it sounded like they comprised the members or most of the members of a band. They spoke very briefly about their set list. That’s good. They set up a couple rehearsal dates. That’s really good because you don’t want to play out, unprepared. The rest of the conversation that I overheard - and I mean for about 25 minutes (don’t think I have too much free time - I had to be where I was, it’s a long story) these guys talked about the “totally sick” clothes they were going to wear, what they were going to do to their hair and whether or not they should all do it. At that point, I had to the old recon move, which all the chicks listening, know. You pull out your mirror and surreptitiously view the people who are behind you -which these guys were. I’d say they were in their early or late 20’s. They had a very clean cut look, which surprised me, after hearing their wardrobe and coiffure plans for the show. 

Hey, I understand how a distinct style in your music is of paramount importance, assuming, of course, that the quality is there. I also understand that up and coming artists need a hook - whether that it’s their uniqueness within their genre, or the employment of unconventional sounds or instruments, or topicality of songs or lyrics, or a cool or unconventional look. It’s an old saw because it’s true: you never get a 2nd chance to make a 1st impression. That being said, please, please, please keep in mind that the most important thing is the music. As I listened to those guys, all I could think was, I hope their chops are commensurate with their talk. The trap into which you do not want to fall is being the guitarist or band about which people say, “Hey did you see - name the artist or band -? Yeah, the dudes with the green dreads and the left leg of their jeans cut off mid thigh…man, they stunk.”

Your playing is what you have to lead with and that’s why I needle you to master your craft. If you wear ordinary street clothes, whatever they are for you, to an audition or gig, and your playing blows everyone away - that’s what you’ll be remembered for. No one is going to say, “Did you hear that monster -name the artist or band -? His/her/their shoes were lame.” That's never going to happen.

The best of both worlds is to master your craft AND have a unique look or identifier. It’s necessary to be memorable in a sea of up and comers. But don’t lose focus. Your playing is the thing. You never get a 2nd chance to make a 1st impression. Don’t blow it. Don’t perform before you’re ready and when you do, blow their doors off. 


Once in a great while, something comes along that's literally revolutionary. The Raptor™ R Series guitar pick is just such a creation. It affords its user a sublime quartet of sounds which can be summoned with a mere rotation of the brilliantly designed Raptor™ pick. Not only is it a beautifully executed, ingenious idea, but the first experience of playing with it is almost impossible to describe because it’s so different from anything you’ve ever employed.
Get past the unusual feel of the Raptor™ guitar pick and the door to faster, cleaner and more creative playing swings wide open. Your grip will be sure. Your attack will be silent. Your projection will be enhanced. Add to that the technology that enables the pick to glide over your strings, rather than bluntly striking them and the genuine Raptor™ “R” Series pick stands alone as an asset to every guitarist who uses one. 



Seasoned pro? This pick allows for more subtle differences of expression because of the variety of timbres it produces. 
Intermediate recreational guitarist? Improve your sound by upgrading your pick.
Rank beginner? Prime your creativity right from the outset. 

Genuine Raptor™ “R”Series guitar picks are available at RaptorPicksUSA.com. Free Raptors with a purchase of 4 or more is just another way of “spreading the excellence, one guitarist at a time.”


Boston, we love you and we know the shock, loss and pain you sustained last week.

I will call the 5 year-old’s dad. I really will. 

It will broaden you as a musician to understand what you’re playing, when you’re playing it - so, “You should,” is the answer to, “Who cares if there’s a root in a 9 chord or not?”

My iPad Mini and I are BFFs already - can you hear me smile when I said that? It’s great, and for me, just the right size.

Excellent work Arno and Bridget. I think after this week all the spring breaks will finally be concluded and I’ll have a full schedule, once again.

Sounds like the Crossroads Guitar Festival was great. You may want to go next time.

If you’re interested in winning an Eastwood Classic 6, click over to Premier Guitars - 18 years or older, please. If you’re younger than that, I’m glad you’re listening, but check with a parent or guardian before filling out anything online!

Get your music together before you young or inexperienced players worry about hair and wardrobe. And for heaven sake, put on the clothes you’re going to perform in and play a set. Be sure your fanciful garb will not impede your playing.

If you’d like to further assist SuperStorm Sandy victims, Sandy NJ Relief Fund will put 100% of your contribution to excellent use. The recovery here is going to take years.

Don’t forget the Les Paul in Mahwah exhibit at the Mahwah Museum in Mahwah, NJ which is open Wednesdays, Saturdays and Sundays, and the marvelous tribute to Les Paul by Lou Pallo, the trio and other musical friends, called Thank You, Les. 


If you’re not comfortable, your guitar isn’t either, so don’t leave your guitar in a cold car or basement, or a hot car or attic. Humidify if your guitar lives in an environment in which there is less than 40% humidity. Keep it humidified if there’s less than 40% humidity in its usual environment.