This is the first show notes replacement post since i have decided to suspend podcasting, at least for the time being. If you have listened for a long time, you can "hear" me, I'm sure. Going forward, the format of this blog will be more blog-gy than show note-y after this post. Let's call this one the transition.
So, how were your past few weeks? Mine were okay, but I did a lot of life and time analysis. That's when I concluded that I need to reclaim more time from my usual schedule. The podcast was the only "non-essential" from which I could grab some hours. That's how and why I made the decision.
My DRs? Of course they're great. I have had a bit of email feedback from listeners to the last podcast, saying they were going to try DRs and get back to me. I have great expectations. I love, love, love them and think you will, too. If you try them as a result of my endless urging, please, let me know.
A few days ago, I was at a public venue where several singer/guitarists were playing. From the sampling I heard, I'd say they were professional musicians, but that they probably hadn't been for very long. One dude in particular, stood out. I'm not going to mention the venue nor the artist's name. Here's the thing: He wasn't very good. I don't know if he was having an off day, or if he just doesn't play nor sing well. I made a mental note to throw this out to you, to see where you come down on the question that begs to be asked:
If you're trying to break into a career singing and playing, do you take every opportunity to play, whether your chops are where they need to be or not? Or, do you hone your skills more before going public?
It can be rationalized from both sides. Let me know what you think. I'll tell
you what I think in my next post.
Congrats to Gary and Shira for making it into the Student Spotlight over the past few weeks. They have not been frequent headliners in the Spotlight. I was so impressed with both of their last guitar lessons before taking some time off. Nice work. I could see the result of your focus and diligence in working through your music. This will be the last mention of the Student Spotlight if/until I resume podcasting.
I had a question by email from Dirk in Cheshire, England. Thanks, Dirk. His email was long, but his question boiled down to this: I've hit a wall with my speed and dexterity and I'm only an intermediate level player. What can I do?
It's a good question and what's even better than the question is that Dirk has realized that he's hit a wall. Most of the artists (of any description, not just musicians) I know, have an inflated view of their abilities. It's rarely the other way. Dirk recognizes that something needs to be modified for him to continue to grow technically.
The single most effective thing you can do, is stop what you're doing, in terms of studies and exercises. If you're serious, I hope you're working on speed and dexterity studies. If you're working from music notation, (I realize, most of you who read this, aren't) my advice to you is: start somewhere else.
Huh? Are you playing a linear or horizontal exercise based on a scale or mode? If it's 2 or 3 octaves, begin an octave higher than usual, play ascending, return,descending all the way to the lowest note in the study and then play back up to where you began. That's one way to change your rut and your dependency on a predictably muscle memory and sound. OR if you always begin studies ascending, descend first, then, ascend. OR if you play arpeggios ascending and then descending, reverse it. If you practice something in triplets, change it to sixteenths. Do you play only major scales? Learn minors or modes.
I know what some of you are thinking: If I do that, my speed and dexterity will decrease! Well, yes and no. It may, initially. If it does, what's revealed is that your muscle memory or trained reactions are imbalanced. The more your brain can participate, consciously, in your technical workout, the better player you will be. If you can think it and hear it in your mind's ear, you should be able to play it, or be striving to be able to do it. If your exercises and studies are entirely by rote, and you zone out while you're doing them, you're better off not doing them. Disengaging your brain will never move you forward. If your studies and exercises bore you, then modify them.
I must add, all of my remarks above are assuming that you have proper physical technique.
Dirk, I hope this is helpful. A Guitar Technique Tutor Podcast pick is on its way to you.
If you have a question you'd like me to address here, send it along. If I use it in this podcast, I'll be glad to send you a Guitar Technique Tutor pick.
No matter where I go, like my local guitar stores, whether national chains or privately owned shops, when I show guitarists the Genuine R Series Raptor Pick, the ones with vision immediately comprehend that it’s not just another novelty pick that’s going to end up somewhere with all the other weird picks they have tried or people have given them. They try it, they utter a soft “hmmm” and they keep playing. And playing and playing. Most of them tell me they expected it to feel weird but it’s comfortable and just feels different. When I ask them what they think, they say they want it and ask where they can get one.
You may or may not be in the market for a new guitar, but I don’t know a guitarist alive that isn’t looking for fresh inspiration. The 3 uniquely and specifically engineered picking tips on the Raptor entice you to think about and explore the full range of sound qualities you can create with it. The unique beveling of the molded acrylic pick offer amazingly silent attack.
The Raptor R Series pick is destined to become a pivotal tool for creative guitarists. Personally, I haven’t played with anything but a Raptor R Series since the very first time I touched one and I don’t think you’ll be disappointed when you try it.
Get yours today at RaptorPicksUSA.com Free Raptors with a purchase of 4 or more is just another way of “spreading the excellence, one guitarist at a time.”
Raptor™ picks are a registered design. All rights are owned by Black Carbon.
|G 10 Series|
|G 20 Series|
|G 30 Series|
|G 50 Series|
|G 70 Series|
|G 90 Series|
Have you seen the new Takamine G Series?
These are nice guitars at lower-than-usual prices for Takamines. I'm detecting a trend, lately. If you recall, in a July podcast and the show notes called Pushing Through, I mentioned an "affordable," PRS line of guitars, the S2 Series. Some high ticket guitar builders are introducing instrument lines that are more economical, that retain the best aspects of their more expensive predecessors. We saw it in PRS and now in Takamine. I think it's a wise more. In the line I'm highlighting here, the lowest price G10 is less than $300 MSRP and the highest price G90 is under $800 MSRP. (I don't know if there will be a traditional "street" discount at the big guitar stores, or if, because this is an economy line, the MSRPs will hold.) You can check out the specs for yourself. If you're looking for Takamine quality at an inviting price, this line may be just right for you.
Are you a pickup geek? Do you love early Les Pauls and the sound of PAF pickups? Jonesing for that sound?
At the 140th Anniversary weekend, Epiphone offered guitarists the opportunity to play guitars outfitted with ProBuckers and other pickups.
They set up two sets of three Les Paul Standard PlusTop PROs--in Vintage Sunburst and Heritage Cherry Sunburst--and encouraged visitors to check them out. Both groups of Les Pauls were set up with new Epiphone ProBucker pickups as well as two other very fine boutique humbuckers.
Many guests participated in the "blind" challenge including pros, guitar magazine editors, and guitar collectors. While every pickup sounded fantastic and the differences were slight, Epiphone's ProBuckers were chosen as the preferred pickup by a majority (61%) of the players.
These amazing pickups come stock on the Epiphone Les Paul Standard PRO and Custom PRO guitars, but that doesn't mean you can't tweak your arch top or other Les Paul and replace your current pick up with one of these.
You should play and listen to either of the PROs mentioned above AND watch the video. I know I mentioned pickups, at length, in a podcast, probably during 2013, but don't quote me on that. Remember, humbucker is a term coined for the pickup's purpose, which was to buck the annoying hum that its predecessors had. Read more about these fabulous PAF ProBuckers.
Epiphone ProBuckers feature 18% Nickel Silver unit bases and covers, the same alloy used by Gibson. The use of Nickel Silver reduces the occurrence of eddy currents due to low conductivity and provides a more transparent and crisp output. The size and shape of bobbins also has a great impact on tonal response. The bobbins used on the ProBucker pickups duplicate the size and shape of the gold standard in the industry, Gibson humbuckers. Epiphone ProBucker pickups also feature Sand cast Alnico II magnets, high quality 4 conductor lead wire and are vacuum wax potted to eliminate microphonics.
Check them out, if you're looking for the diversity of sounds these pickup deliver,
Don't forget that if you aren't comfortable, your guitar isn't either. DO NOT leave it in a hot car or attic nor a cold car or basement. Make sure its environment has at least 40% humidity - if not, use a humidifier. Always use a humidifier if the A/C is on or if the heat is on.
Try DR strings. They're the best strings I've ever used.
Beautiful work Gary and Shira!
Mix up your studies and exercises if you have hit a technique, speed or dexterity wall.
The Takamine G series is reasonable for Takamine quality. These instruments range from $280 to $795.
Epiphone's ProBucker pickup is a force to be reckoned with. 61% of guitarists who took the ProBucker challenge preferred it. (It's a subjective thing, but if you like the PAF sound, check it out.)
This will be the last "show notes" style blog post. From tonight forward, post will be more frequent and may not cover multiple topics.
Enter to win a Raptor pick at the Raptor Picks USA FaceBook page. You'll see the post you need to Like in order to be entered for the Labor Day Drawing.
Until next time, I'm D A Arlaus, doing my part to spread the excellence, one guitarist at a time.